tag:blogger.com,1999:blog-48857731314983186632024-03-14T04:26:37.033+01:00Les images clandestinesLes images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comBlogger13125tag:blogger.com,1999:blog-4885773131498318663.post-86958196145270600252011-12-19T10:54:00.037+01:002017-10-06T12:57:47.424+02:00Accueil<div style="text-align: justify;">
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<span class="Apple-style-span" style="color: #444444;"><span class="Apple-style-span" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Ce site est consacré à la question du devenir des images. Et plus particulièrement celles issues de la Seconde Guerre mondiale et de la destruction des Juifs d'Europe. Au fil de mes recherches reviennent toujours les mêmes interrogations : quelles images se trament sous les images ? Quel circuit clandestin empruntent-elles parfois pour parvenir jusqu'à nous ? De quelle mémoire, de quelles obsessions et de quels discours nos images contemporaines sont-elles les véhicules ?</span></span><br />
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Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-11464899993158601562011-10-31T18:12:00.001+01:002011-12-31T18:40:21.845+01:00Bibliographie complémentaire du cours de Licence 2 : "Etude de textes théoriques"<!--StartFragment--> <br />
<div class="MsoNormal"><i><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">Cette bibliographie comporte des références d’ouvrages permettant d’approfondir la lecture des auteurs étudiés en cours (outre les livres déjà indiqués dans la brochure d’articles). <o:p></o:p></span></span></i></div><div align="center" class="MsoNormal" style="text-align: center;"><br />
</div><div class="MsoNormal"><b><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">Autour d’André Bazin<o:p></o:p></span></span></b></div><div class="MsoNormal"><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">ANDREW Dudley, </span><i><span class="Apple-style-span" style="color: #444444;">André Bazin</span></i><span class="Apple-style-span" style="color: #444444;">, Paris, éd. de l’Etoile / Cahiers du cinéma, 1983.<br />
UNGARO Jean,</span><i><span class="Apple-style-span" style="color: #444444;"> André Bazin : généalogies d’une théorie</span></i><span class="Apple-style-span" style="color: #444444;">, Paris, L’Harmattan, 2000.</span></span></div><div class="MsoNormal"><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;"><br />
<span class="Apple-style-span" style="color: black; font-family: Times;"><b><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">Autour de Walter Benjamin</span></span></b></span></span></span></div><div class="MsoNormal"><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">ARENDT Hannah, </span><i><span class="Apple-style-span" style="color: #444444;">Walter Benjamin. 1892-1940, </span></i><span class="Apple-style-span" style="color: #444444;">Paris, Allia, 2010. <br />
BOUGANIM Ami, </span><i><span class="Apple-style-span" style="color: #444444;">Walter Benjamin. Le rêve de vivre</span></i><span class="Apple-style-span" style="color: #444444;">, Paris, Albin Michel, 2007.<br />
RAULET Gérard, </span><i><span class="Apple-style-span" style="color: #444444;">Le Caractère destructeur</span></i><span class="Apple-style-span" style="color: #444444;">, Paris, Aubier, 1997. <br />
ROCHLITZ Rainer, </span><i><span class="Apple-style-span" style="color: #444444;">Le Désenchantement de l’art</span></i><span class="Apple-style-span" style="color: #444444;">, Paris, Gallimard, 1992.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><b><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">Autour de Dziga Vertov et Serguei Eisenstein<o:p></o:p></span></span></b></div><div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">AUMONT Jacques, </span><i><span class="Apple-style-span" style="color: #444444;">Montage Eisenstein</span></i><span class="Apple-style-span" style="color: #444444;"> (1979), Paris, éd. Images modernes, 2005.<o:p></o:p></span></span></div><div class="MsoNormal"><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">- </span><i><span class="Apple-style-span" style="color: #444444;">Les théories des cinéastes</span></i><span class="Apple-style-span" style="color: #444444;">, Paris, Armand Collin, coll. « Cinéma », 2005. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><b><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">Autour d’Andreï Tarkovski</span></span></b><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;"><o:p></o:p></span></span></div><div class="MsoNormal"><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">GOVERNATORI Luca, </span><i><span class="Apple-style-span" style="color: #444444;">Andreï Tarkovski, l'art et la pensée</span></i><span class="Apple-style-span" style="color: #444444;">, Paris, L'Harmattan, 2002.<o:p></o:p></span></span></div><div class="MsoNormal"><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">TARKOVSKI Andreï, </span><i><span class="Apple-style-span" style="color: #444444;">Journal 1970-1986</span></i><span class="Apple-style-span" style="color: #444444;">, trad. Anne Kichilov, Paris, Cahiers du cinéma, 1993.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><b><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">Autour de Bela Balazs<o:p></o:p></span></span></b></div><div class="MsoNormal"><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">BALAZS Bela, </span><i><span class="Apple-style-span" style="color: #444444;">Le Cinéma. Nature et évolution d’un art nouveau </span></i><span class="Apple-style-span" style="color: #444444;">(1972), traduit de l’allemand par J. Chavy, Paris, Payot, 1979.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><b><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">Autour de Stanley Cavell<o:p></o:p></span></span></b></div><div class="MsoNormal"><span style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">CAVELL Stanley, </span><i><span class="Apple-style-span" style="color: #444444;">A la recherche du bonheur. Hollywood et la comédie du remariage</span></i></span><span style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">, Paris, Les Cahiers du cinéma, 1993.<o:p></o:p></span></span></div><div class="MsoNormal"><span style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">- </span><i><span class="Apple-style-span" style="color: #444444;">Le cinéma nous rend-il meilleurs ?</span></i><span class="Apple-style-span" style="color: #444444;">, Paris, Bayard, 2003.</span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><b><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">Sur le cinéma et la photographie <o:p></o:p></span></span></b></div><div class="MsoNormal"><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #444444;">BARTHES Roland, </span><i><span class="Apple-style-span" style="color: #444444;">La Chambre claire. Notes sur la photographie</span></i><span class="Apple-style-span" style="color: #444444;">, Paris, Seuil, 1980. <br />
MALRAUX André, </span><i><span class="Apple-style-span" style="color: #444444;">Esquisse d’une psychologie du cinéma </span></i><span class="Apple-style-span" style="color: #444444;">(1940)</span><i><span class="Apple-style-span" style="color: #444444;">,</span></i><span class="Apple-style-span" style="color: #444444;"> Paris, Nouveau monde éditions, 2003. <br />
SONTAG Susan, </span><i><span class="Apple-style-span" style="color: #444444;">Sur la photographie</span></i><span class="Apple-style-span" style="color: #444444;"> (1977), Paris, Christian Bourgois, 1995.<o:p></o:p></span></span></div><div class="MsoNormal" style="mso-hyphenate: auto; text-align: justify; text-justify: inter-ideograph;"><br />
</div><!--EndFragment-->Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-16897094418000506512011-10-31T18:08:00.000+01:002011-12-31T18:11:05.279+01:00Bibliographie du cours de Licence 2 : "Le cinéma face à ses démons"<!--StartFragment--> <br />
<div class="MsoNormal"><i><span style="font-family: Arial;">Cette bibliographie comporte l’essentiel des références mentionnées lors du cours plus quelques autres pour ceux qui souhaiteraient approfondir les notions qui y ont été abordées : l’angoisse, le vacillement identitaire, le vivant, l’humain et la mémoire des violences du XXe siècle. <o:p></o:p></span></i></div><div align="center" class="MsoNormal" style="text-align: center;"><br />
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</div><div class="MsoNormal"><b><span style="font-family: Arial;">Approche philosophique<o:p></o:p></span></b></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">AGAMBEN Giorgio, <i>L’Ouvert</i>. <i>De l’homme et de l’animal</i>,<b><i> </i></b>Paris, Rivages, 2002.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">ARENDT Hannah, <i>Condition de l’homme moderne</i> (1958), Calmann-Lévy, Paris, 1961.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">BERGSON Henri, <i>L’Evolution créatrice</i> (1907), Paris, PUF Quadrige, 1986.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">HABERMAS Jurgën, <i>L’avenir de la nature humaine</i>, Paris, Gallimard, 2002.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">HEIDEGGER Martin, <i>Etre et temps</i> (1927), Paris, Gallimard, 1986. <o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l2 level1 lfo6; text-indent: -18.0pt;">-<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span><i><span style="font-family: Arial;">Lettre sur l’humanisme </span></i><span style="font-family: Arial;">(1946), in <i>Questions III et IV</i>, Paris, Tel Gallimard, 2005.</span><span style="font-family: Arial;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">KIERKEGAARD Søren, <i>Le concept de l'angoisse</i> (1844), Paris, Gallimard, 1969.<b><o:p></o:p></b></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">LECOURT Dominique, <i>Humain, posthumain,</i> Paris, PUF, 2003.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">PROCHIANTZ Alain, <i>Machine-esprit</i>, Paris, Odile Jacob, 2001.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">SLOTERDIJK Peter, <i>Règles pour le parc humain</i>, Paris, Mille et une nuits, 1999.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">TERESTCHENKO Michel, <i>Un si fragile vernis d’humanité. Banalité du bien, banalité du mal</i>,<i> </i>Paris, La Découverte, 2005.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><b><span style="font-family: Arial;">Approche psychanalytique <o:p></o:p></span></b></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l4 level1 lfo3; tab-stops: list 18.0pt; text-indent: -36.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">ANZIEU Didier, <i>Le Moi-peau</i>, Paris, Dunod, 1985.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l4 level1 lfo3; tab-stops: list 18.0pt; text-indent: -36.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">ASSOUN Paul-Laurent, <i>Leçons psychanalytiques sur l’angoisse</i>, Paris, Anthropos, 2002.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l4 level1 lfo3; tab-stops: list 18.0pt; text-indent: -36.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">FREUD Sigmund, « L’inquiétante étrangeté » (1919) in <i>L’inquiétante étrangeté et autres essais</i>, Paris, Folio, 1985. <o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l0 level1 lfo5; tab-stops: list 18.0pt; text-align: justify; text-indent: -36.0pt; text-justify: inter-ideograph;">-<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span><span style="font-family: Arial;">« Au-delà du principe de plaisir » (1920), in <i>Naissance de la psychanalyse</i>, Paris, P.U.F., 1991.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l5 level1 lfo4; tab-stops: list 18.0pt; text-indent: -36.0pt;">-<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span><i><span style="font-family: Arial;">Inhibition, symptôme, angoisse </span></i><span style="font-family: Arial;">(1926)<i>, </i>Paris, PUF, 2002.<i><o:p></o:p></i></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">GAGNEBIN Murielle, <i>Fascination de la laideur, </i>Lausanne, L’âge d’homme, 1978.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l4 level1 lfo3; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">LACAN Jacques, « Le stade du miroir comme fondateur de la fonction du Je » (1949), <i>Ecrits</i>, Paris, Seuil, 1999.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l4 level1 lfo3; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">LE POULICHET Sylvie, <i>Psychanalyse de l’informe. Dépersonnalisations, addictions, traumatismes, </i>Paris, Aubier, Flammarion, 2003.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l4 level1 lfo3; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">M’UZAN Michel (de), <i>Aux confins de l’identité,</i> Paris, Gallimard, 2005. <o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoBodyText" style="line-height: normal;"><b><span style="font-family: Arial; mso-bidi-font-size: 12.0pt;">Histoire et témoignages sur les génocides du XXe siècle et sur la déportation<o:p></o:p></span></b></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">ANTELME Robert, <i>L’espèce humaine</i>, Paris, Gallimard, 1957.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">ARENDT Hannah, <i>Eichmann à Jérusalem</i> (1963), Paris, Folio Histoire, 1991<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">ASSO Annick, <i>Le cantique des larmes. Arménie 1915, paroles de rescapés du génocide</i>, Paris, La Table ronde, 2005.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">BROWNING Christopher, <i>Des hommes ordinaires. Le 101° bataillon de réserve de la police allemande et la “Solution finale” en Pologne</i> (1992), Paris, Les Belles Lettres, 2002.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">COLL., <i>Des voix sous la cendre</i>, Paris, Mémorial de la Shoah / Calmann Levy, 2005.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">DURAS Marguerite, <i>La Douleur</i>, Paris, P.O.L. éditeur, 1985.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">HATZFELD Jean, <i>Dans le nu de la vie : récits des marais rwandais</i>, Paris, Seuil, 2000.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">HILBERG Raoul, <i>La Destruction des Juifs d’Europe</i> (1961) Paris, Folio Histoire, 2 vol, 1991.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">LEVI Primo, <i>Si c’est un homme</i> (1947), Paris, Julliard, 1987.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-indent: -18.0pt;">-<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span><i><span style="font-family: Arial;">Les Naufragés et les rescapés, </span></i><span style="font-family: Arial;">Paris, Gallimard, 1989. <o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">SEMPRUN Jorge, <i>L’écriture ou la vie</i>, Paris, Gallimard, 1994.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">WIEVORKA Annette, <i>Déportation et génocide</i>, Paris, Plon, 1992.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><b><span style="font-family: Arial;">Le cinéma (et l’art) face à ses démons<o:p></o:p></span></b></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">ARCHIMBAUD Michel, <i>Entretiens avec F. Bacon</i> (1992), Paris, Folio, 1996.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">BERGMAN Ingmar, <i>Laterna Magica</i>, Paris, Gallimard, 2001.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">CHION Michel, <i>Stanley Kubrick, l’humain ni plus ni moins</i>, Paris, Cahiers du cinéma, 2006.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">Revue <i>CRITIQUE</i>, « Mutants », n°709-710 / Juin-Juillet 2006, Paris, Editions de Minuit, 2006.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">DANEY Serge, <i>Persévérance,</i> Paris, P.O.L., 1994.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">DIDI-HUBERMAN Georges, <i>Images malgré tout</i>, Paris, Éditions de Minuit, 2003.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">LINDEPERG Sylvie, <i>Nuit et Brouillard. Un film dans l’histoire, </i>Paris, Odile Jacob, 2007.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">ROLLET Sylvie, </span><i><span style="color: #343434; font-family: Arial;">Une éthique du regard : le cinéma face à la Catastrophe, d’Alain Resnais à Rithy Panh</span></i><span style="color: #343434; font-family: Arial;">, Paris, Hermann, 2011.</span><span style="font-family: Arial;"><o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Arial;"><o:p>___ </o:p></span></div><div class="MsoNormal"><b><span style="font-family: Arial;">Pour ma part<o:p></o:p></span></b></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l3 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;">·<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;">LEVY Ophir,<i> </i></span><i><span style="font-family: Arial;">Penser l'humain à l'aune de la douleur. Philosophie, histoire, médecine. 1845-1945</span></i><span style="font-family: Arial;">, Paris, L'Harmattan, 2009.</span><span style="font-family: Arial;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-indent: -18.0pt;">-<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span><span style="font-family: Arial;">« Dans l’humain, la fêlure… » in<i> </i>Murielle Gagnebin (dir.) <i>Les Images honteuses, </i>Seyselle, Champ Vallon, 2006.<o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-indent: -18.0pt;">-<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span><span style="font-family: Arial;">« De l'obsession. Empreintes de la Shoah dans le cinéma contemporain » in <i>Revue d'Histoire de la Shoah</i>, n°195, "Les écrans de la Shoah", juillet/décembre 2011, p. 183-210.</span><span style="font-family: Arial;"><o:p></o:p></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo2; tab-stops: list 36.0pt; text-indent: -18.0pt;">-<span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-size: small;"> </span></span><span style="font-family: Arial;">« Le magnétisme de la Shoah » in <i>Revue d'Histoire de la Shoah</i>, <i>op. cit</i>, p. 405-422.</span></div><!--EndFragment-->Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-28840675487376582742011-10-31T17:08:00.003+01:002011-12-31T17:22:43.005+01:00Programme "Cinéma et Shoah derrière le rideau de fer" 2011-2012<div class="separator" style="clear: both; text-align: center;"></div><div style="text-align: left;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><b>Voir au bas de la page pour lire le programme en grand format</b></span></div><div style="text-align: left;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><b><br />
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<b><span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">Face à « l’impossible » (le sublime, le
Réel, l’irreprésentable)</span></b><span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;"> <o:p></o:p></span></div>
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<br /></div>
<div style="line-height: 115%; margin-bottom: .0001pt; margin: 0cm; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;">
<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">BURKE Edmund, <i>Recherche philosophique sur nos idées
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">COLL., <i>Revue
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">DIDI-HUBERMAN
Georges, <i>Images malgré tout</i>, Paris, Éditions de Minuit, 2003. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">DUPORTAIL Guy-Félix, <i style="color: #444444; font-family: arial, helvetica, sans-serif; text-indent: -18pt;">Intentionnalité
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">DUPUY Jean-Pierre, <i style="color: #444444; font-family: arial, helvetica, sans-serif; text-indent: -18pt;">Pour
un catastrophisme éclairé. Quand l’impossible est certain</i>, Paris, Seuil,
coll. « La couleur des idées », 2002. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">FŒSSEL Michaël, <i style="color: #444444; font-family: arial, helvetica, sans-serif; text-indent: -18pt;">Après
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">KANT Emmanuel, <i style="color: #444444; font-family: arial, helvetica, sans-serif; text-indent: -18pt;">Critique
de la faculté de juger</i> (1790), trad. A. Philonenko, Paris, Vrin,
1993. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">KLEINBERGER Alain et
MESNARD Philippe (dir.), <i>La Shoah. Théâtre et cinéma aux limites de
la représentation</i>, Paris, éditions Kimé, 2013. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">LE POULICHET
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">LEVY Ophir, <i>Images
clandestines. Métamorphoses d’une mémoire visuelle des « camps »</i>, Paris,
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">LINDEPERG Sylvie, <i>Nuit
et Brouillard. Un film dans l’histoire</i>, Paris, Odile Jacob, 2006. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">LINDEPERG Sylvie, <i>La
Voie des images</i>, Paris, Verdier, 2013. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">LONGIN (ou pseudo
Longin), <i>Du sublime</i>, trad. J. Pigeaud, Paris, Rivages poche,
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">LYOTARD
Jean-François, <i>Leçons sur l’analytique du sublime</i> (1991),
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">NANCY Jean-Luc, <i>Au
fond des images</i>, Paris, Galilée, 2003. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">RANCIERE Jacques, <i>Le
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">ROLLET Sylvie, <i>Une
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Paris, Hermann, coll. « Fictions pensantes », 2011. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">SAINT GIRONS
Baldine, <i>Fiat lux. Une philosophie du sublime</i>, Quai Voltaire,
1993. <o:p></o:p></span></div>
<div style="-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; line-height: 115%; margin-bottom: .0001pt; margin: 0cm; orphans: 2; text-align: justify; text-decoration-color: initial; text-decoration-style: initial; text-indent: -18.0pt; text-justify: inter-ideograph; widows: 2; word-spacing: 0px;">
<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">SAINT GIRONS
Baldine, <i>Le Sublime de l’Antiquité à nos jours</i>, Desjonquères,
2005. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: Arial; font-size: 12.0pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">SZENDY Peter, <i>L’Apocalypse
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Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-70621618947561901472011-09-12T21:12:00.000+02:002016-11-19T17:46:23.166+01:00Bibliographie du cours "Histoire générale du cinéma" - Licence 1<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 18.0pt; margin-right: 0cm; margin-top: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">Quelle(s)
histoire(s) pour le cinéma ? Introduction à une réflexion
historiographique sur le cinéma.<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">AUMONT Jacques et MARIE Michel, <i>Dictionnaire
théorique et critique du cinéma</i>, Paris, Nathan, 2001.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BORDWELL David et THOMPSON Kristin, <i>L’Art du
film. Une introduction</i>, De Boeck, 2009 (2<sup>ème</sup><span style="mso-text-raise: 6.5pt; position: relative; top: -6.5pt;"> </span>éd.
française). <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">CASSETTI Francesco, <i style="mso-bidi-font-style: normal;">Les Théories du cinéma depuis 1945</i> (1978), trad. S. Saffi, Paris,
Armand Colin, coll. « Armand Colin Cinéma », 2015.<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">GAUTHIER Christophe, « Le cinéma : une
mémoire culturelle », in <i style="mso-bidi-font-style: normal;">1895</i>,
n°52, septembre 2007, p. 9-26.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">LAGNY Michèle, <i>De l’histoire du cinéma :
méthode historique et histoire du cinéma</i>, Paris, Armand Colin, 1992.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<u><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">Voir également :<o:p></o:p></span></u></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BARDECHE Maurice et BRASILLACH Robert, <i style="mso-bidi-font-style: normal;">Histoire du cinéma</i>, Paris, André Martel,
3<sup>e</sup> édition, 1948.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">MITRY Jean, <i style="mso-bidi-font-style: normal;">Histoire
du cinéma</i>, 5 volumes</span><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">, Paris, Éditions Universitaires, 1967-1980.</span><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;"><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">SADOUL Georges,<i style="mso-bidi-font-style: normal;"> Histoire générale du cinéma</i>, 6 volumes, Paris, Denoël, 1973.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">Lumière !
De la lanterne magique au cinématographe</span></b></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BESSY Maurice, <i style="mso-bidi-font-style: normal;">Le Mystère de la chambre noire. Histoire de
la projection animée</i>, Paris, Pygmalion Gérard Watelet, 1990.<u><o:p></o:p></u></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">FAUCHEUX Michel,<i style="mso-bidi-font-style: normal;"> Auguste et Louis Lumière</i>, Paris,
Gallimard, coll. « folio biographies », 2011.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">MANNONI Laurent et PESENTI
COMPAGNONI Donata, <i style="mso-bidi-font-style: normal;">Lanterne magique et
film peint : 400 ans de cinéma</i>, Paris, La Cinémathèque française/Éditions
de La Martinière, 2009.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">SADOUL Georges,<i style="mso-bidi-font-style: normal;"> Histoire générale du cinéma. 1. L’invention
du cinéma 1832-1897 </i>(1948), Paris, Denoël, 1973.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">Le
cinéma des premiers temps (1896-1914)<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BANDA Daniel et MOURE José, <i>Le
cinéma : naissance d’un art 1895-1920</i>, Paris, Flammarion, coll.
« Champs arts », 2008.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BURCH Noël, <i>La Lucarne de
l’infini. Naissance du l</i></span><i><span lang="IS" style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">anga</span></i><i><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">ge cinématographique </span></i><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">(1991),
Paris, L’Harmattan, coll. « Champs visuels », 2007.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">COLL., <i>Pathé. Premier empire
du cinéma</i>, Paris, Centre Georges Pompidou, 1994.<i><br />
</i>LE FORESTIER Laurent, <i style="mso-bidi-font-style: normal;">Aux sources de
l'industrie du cinéma. Le modèle Pathé. 1905-1908</i>, Paris, L’Harmattan,
AFRHC, 2006.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">MALTHÊTE Jacques, <i>Méliès. I</i></span><i><span lang="EN-US" style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">mage</span></i><i><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">s
et illusions</span></i><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">, Paris, Exporégie, 1996. <br />
MELIES Georges, <i>La Vie et l’œuvre d’un pionnier du cinéma</i>, Paris, Les
Éditions du Sonneur, 2012.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">SALMON Stéphanie,<i> Pathé. À la
conquête du cinéma</i>, Paris, Tallandier, 2014.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">Naissance
d’une industrie de l’<i>entertainment</i>
(1896-1916)</span></b></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BOURGET Jean-Loup, <i>Le Cinéma
américain. 1895-1980</i>, Paris, P.U.F., 1983.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BROWNLOW Kevin, <i style="mso-bidi-font-style: normal;">La Parade est passée </i>(1968), trad. C.
Leteux, Arles/Lyon, Actes Sud/Institut Lumière, 2011.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BROWNLOW Kevin, <i style="mso-bidi-font-style: normal;">Hollywood, les pionniers </i>(1979), trad.
B. Eisenschitz, Paris, Ramsay, 1996.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">MOTTET Jean (dir.), <i>Griffith</i>, Paris, Ramsay,
coll. « Ramsay Poche cinéma », 1984.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">RAMSAYE Terry, <i style="mso-bidi-font-style: normal;">A
Million and One Nights: A History of the Motion Picture Through 1925</i> (<span style="background: white;">1926)</span>, <span style="background: white;">New York,
Simon and Schuster/Touchstone, 1986.</span><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">« Le
Royaume de leurs rêves » : Hollywood, 1916-1928<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BOURGET Jean-Loup, <i>Hollywood,
la norme et la marge</i>, Paris, Armand Colin, 2005.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BRION Patrick (dir.), <i>D.W.
Griffith. Le Cinéma</i>, Paris, L’Equerre, Centre Pompidou, 1982.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">GABLER Neil, <i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-weight: bold;">Le Royaume de leurs rêves. La
saga des juifs qui ont fondé Hollywood</span></i><span style="mso-bidi-font-style: italic;"> (1988), trad. J.-F. Hel Guedj, Paris, Hachette Littératures, 2005.</span><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">KRAL Petr, <i style="mso-bidi-font-style: normal;">Le Burlesque ou la morale de la tarte à la crème </i>(1984), Paris, Ramsay
Poche cinéma, 2007.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: 0.0001pt; text-align: left;">
<span style="color: #3b3838; font-family: "helvetica"; line-height: 115%;"><o:p><i style="background-color: white; color: #444444; text-align: center;"><a href="https://dl.dropboxusercontent.com/u/55875284/4)%20Le%20Royaume%20de%20leurs%20r%C3%AAves%20(1916-1928).pdf" target="_blank"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small;">(Diapos Powerpoint du cours)</span></a></i> </o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: 0.0001pt; text-align: left;">
<br /></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: 0.0001pt; text-align: left;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">« L’écran
démoniaque » (le cinéma allemand au temps de la République de Weimar
1918-1933)<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BENOLIEL (<i>et alii</i>)<i>, Le
Cinéma expressionniste allemand</i>, Paris, éd. de La Martinière/Cinémathèque
française, 2006.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">DUFOUR Eric, <i>Le Mal dans le
cinéma allemand</i>, Paris, Armand Colin, 2014.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">EISNER Lotte, <i>L’Écran
démoniaque. Les influences de Max Reinhardt et de l’expressionnisme</i>
[1952], Paris, Ramsay, coll. « Poche Cinéma », 1985<i>.<o:p></o:p></i></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">EISNER Lotte, <i>Fritz Lang</i>
(1977), trad. B. Eisenschitz, Paris, Cahiers du cinéma, 2005.<i><o:p></o:p></i></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">ELSAESSER Thomas, <i>Weimar
Cinema and After</i>, Londres, Routledge, 2000.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">KAES<i> </i>Anton, <i>Shell Shock
Cinema. Weimar Culture and the Wounds of War</i>, Princeton, Princeton
University Press, 2009.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">KRACAUER Siegfried, <i>De
Caligari à Hitler. Une histoire psychologique du cinéma allemand </i>[1947],
trad. C. Levenson, Lausanne, L’Âge d’homme, 2009.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">Naissance
du « Septième art » (Cinéphilie, « première vague » et
avant-garde)<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">ALBÉRA François, <i style="mso-bidi-font-style: normal;">L’Avant-garde au cinéma</i>, Paris, Armand Colin, 2005.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">CANUDO Ricciotto, <i style="mso-bidi-font-style: normal;">L’Usine aux images</i>, Paris, Séguier, 1995.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 107%;">DAIRE Joël, <i style="mso-bidi-font-style: normal;">Jean
Epstein. Une vie pour le cinéma</i>, Grandvilliers, La tour verte, coll.
« La muse celluloïd », 2014.<u><o:p></o:p></u></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">GAUTHIER Christophe, <i style="mso-bidi-font-style: normal;">La Passion du cinéma. Cinéphiles, ciné-clubs et salles spécialisées à
Paris de 1920 à 1929</i>, Paris, AFRHC/École des chartes, 1999.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">JULLIER Laurent et LEVERATTO
Jean-Marc, <i>Cinéphiles et cinéphilies</i>, Paris, Armand Colin, 2010.</span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12pt;">VEZYROGLOU Dimitri, </span><i style="color: #3b3838; font-family: Helvetica; font-size: 12pt;">Le Cinéma en France à la veille du parlant</i><span style="color: #3b3838; font-family: "helvetica"; font-size: 12pt;">,
Paris, CNRS Éditions, 2011.</span><br />
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12pt;"><br /></span>
<br />
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">Cinéma
et politique : avant-garde, révolution, propagande (1920-1940) <o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">ALBÉRA François, <i style="mso-bidi-font-style: normal;">L’Avant-garde au cinéma</i>, Paris, Armand Colin, 2005.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="background: white; color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">AUMONT Jacques, <i>Montage
Eisenstein</i> (1979), Paris, éd. Images modernes, 2005.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="background: white; color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">AUMONT Jacques, </span><i style="mso-bidi-font-style: normal;"><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">Les Théories des cinéastes</span></i><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">, Paris, Armand Colin, coll.
« Cinéma », 2005.</span><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;"><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BENJAMIN Walter, « L’œuvre d’art à l'époque de sa reproductibilité
technique » (1936) in <i style="mso-bidi-font-style: normal;">Sur l’art et la
photographie</i>, trad. C. Jouanlanne et M. B. de Launay, Paris, Carré, 1997.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">BERTIN-MAGHIT Jean-Pierre (dir.), <i style="mso-bidi-font-style: normal;">Une
histoire mondiale des cinémas de propagande</i>, Paris, Nouveau Monde, 2008.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">CADARS Pierre et COURTADE Francis, <i style="mso-bidi-font-style: normal;">Le
Cinéma nazi</i>, Toulouse, Le Terrain vague, 1972.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">EISENSTEIN Sergueï M., <i style="mso-bidi-font-style: normal;">Le Film :</i>
<i style="mso-bidi-font-style: normal;">sa forme, son sens</i>, trad. A. Panigel,
Paris, Christian Bourgois, 1976.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">LINDEPERG Sylvie, <i style="mso-bidi-font-style: normal;">La Voie des images</i>,
Paris, Verdier, 2013.</span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12pt;">VERTOV Dziga, </span><i style="color: #3b3838; font-family: Helvetica; font-size: 12pt;">Articles, journaux,
projets</i><span style="color: #3b3838; font-family: "helvetica"; font-size: 12pt;">, trad. S. Mossé et A. Robel, Paris, UGE, 10/18, 1972.</span><br />
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12pt;"><br /></span>
<br />
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">Un
art (depuis toujours ?) sonore<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">ALTMAN Rick, <i style="mso-bidi-font-style: normal;">Silent Film Sound</i>, New York, Columbia University Press, 2004.<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">CHION Michel, <i>La Voix au
cinéma</i>, Paris, Cahiers du Cinéma, coll. « Essais », 1982.<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">CHION Michel, <i>L’Audio-vision.
Son et image au cinéma</i>, Paris, Nathan, coll. « Université »,
1990.<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">CHION Michel, </span><i style="mso-bidi-font-style: normal;"><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">La Musique au cinéma</span></i><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">, Paris, Fayard, 1995.</span><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">CHION Michel, <i>Un Art sonore,
le cinéma. Histoire, esthétique, poétique</i>, Paris, Cahiers du Cinéma, coll.
« Essais », 2003.<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">JULLIER Laurent, <i style="mso-bidi-font-style: normal;">Le
Son au cinéma</i>, Paris, Cahiers du cinéma, coll. « Les petits
cahiers », 2006.<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">MILLET Thierry (dir.), <i style="mso-bidi-font-style: normal;">Analyse
et réception des sons au cinéma</i>, Paris, L’Harmattan, coll. « Champs
visuels », 2007.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 115%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">MILLET Thierry, </span><i style="mso-bidi-font-style: normal;"><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">Bruit et
Cinéma</span></i><span style="color: #3b3838; font-family: "helvetica"; font-size: 12.0pt; line-height: 115%;">, Aix-en-Provence, Presses de l’Université de Provence,
coll. « Hors Champ », 2007.</span><br />
<span style="color: #3b3838; font-family: helvetica; font-size: 12pt;">PISANO Giusy, </span><i style="color: #3b3838; font-family: helvetica; font-size: 12pt;">Une Archéologie du cinéma sonore</i><span style="color: #3b3838; font-family: helvetica; font-size: 12pt;">,
Paris, CNRS éditions, coll. « Cinéma et audiovisuel », 2004.</span></div>
</div>
</div>
</div>
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</style>Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-53335342074921671352011-09-12T21:02:00.000+02:002017-03-16T14:45:13.973+01:00Bibliographie du cours "Textures sonores" - Licence 3<div class="MsoNormal" style="text-align: left;">
<br />
<ul>
<li style="line-height: 150%;"><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; line-height: 150%; text-align: justify; text-indent: -14.2pt;">ALTMAN Rick, </span><i style="color: #444444; font-family: "helvetica neue", arial, helvetica, sans-serif; line-height: 150%; text-align: justify; text-indent: -14.2pt;"><span style="background: white;">Silent
Film Sound</span></i><span style="background: white; color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; line-height: 150%; text-align: justify; text-indent: -14.2pt;">,<i style="mso-bidi-font-style: normal;"> </i>New
York, Columbia University Press, 2004.</span></li>
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</ul>
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<li class="MsoNormal" style="line-height: 150%; mso-list: l0 level1 lfo1; text-align: justify; text-justify: inter-ideograph;"><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><i style="mso-bidi-font-style: normal;">Film Sound (filmsound.org)</i>, animé par Sven E. Carlsson.<o:p></o:p></span></li>
<li class="MsoNormal" style="line-height: 150%; mso-list: l0 level1 lfo1; text-align: justify; text-justify: inter-ideograph;"><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><i style="mso-bidi-font-style: normal;">La Création sonore (<a href="http://www.creationsonore.ca/"><span style="text-decoration: none;">www.creationsonore.ca</span></a>)</i>,
Université de Montréal </span><o:p></o:p></li>
</ul>
Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-29600768473290897882010-09-18T21:29:00.000+02:002019-01-28T10:06:51.108+01:00Médias en ligne<span style="color: #444444; font-family: "helvetica neue";">* "<i>On the spectrum</i>, la série phénomène primée au festival Séries Mania", entretien filmé sur sur la webTV <b><i><a href="https://www.weo.fr/video/on-the-spectrum-la-serie-phenomene-primee-au-festival-series-mania/">weo.fr</a></i></b>, mis en ligne le 24 janvier 2018.</span><br />
<span style="color: #444444; font-family: "helvetica neue";"><br /></span>
<span style="color: #444444; font-family: "helvetica neue";">* Rémy Besson, « Enquête sur les traces d'un imaginaire », <i><a href="https://www.nonfiction.fr/article-9021-enquete_sur_les_traces_dun_imaginaire.htm" target="_blank"><b>nonfiction.fr</b></a></i></span><span style="color: #444444; font-family: "helvetica neue";">, mis en ligne le 01 septembre 2017.</span><br />
<span style="color: #444444; font-family: "helvetica neue";"><br /></span>
<span style="color: #444444; font-family: "helvetica neue";">* Vincent Lowy, « Ophir Levy, <i>Images clandestines. Métamorphoses d’une mémoire visuelle des "camps"</i> », <i><a href="https://questionsdecommunication.revues.org/11332" target="_blank"><b>Questions de communication</b></a></i> [En ligne], 31 | 2017, mis en ligne le 01 septembre 2017.</span><br />
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<span style="color: #444444; font-family: "helvetica neue";">* « L'empreinte de la Shoah au cinéma » (à propos du livre </span><i style="color: #444444; font-family: "helvetica neue";">Images clandestines)</i><span style="color: #444444; font-family: "helvetica neue";">. Entretien filmé avec Samuel Blumenfeld, journaliste au </span><i style="color: #444444; font-family: "helvetica neue";">Monde</i><span style="color: #444444; font-family: "helvetica neue";">, sur le site </span><a href="http://www.akadem.org/magazine/2016-2011/l-empreinte-de-la-shoah-au-cinema-23-09-2016-83865_4688.php" style="font-family: "helvetica neue";" target="_blank"><b><i>Akadem</i></b></a><span style="color: #444444; font-family: "helvetica neue";">, </span><span style="color: #444444; font-family: "helvetica neue";">23 septembre 2016.</span><span style="color: #444444; font-family: "helvetica neue";"> </span><br />
<span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;"><br /></span><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;">* Article du site d'information turc</span><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;"> </span><i style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; font-weight: bold; text-align: justify;"><a href="http://www.bianet.org/bianet/toplum/152070-toplumsal-hafiza-sinemada-nasil-o" target="_blank">Bianet</a> </i><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;">au sujet du cycle de conférences sur "La mémoire de la Shoah dans le cinéma français" organisé à Istanbul, </span><span style="color: #343434; font-family: "helvetica neue"; font-size: 13.3333px; text-align: justify;">15 décembre 2013</span><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;">.</span><br />
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Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-34027722345839695272010-09-18T21:28:00.000+02:002016-09-18T21:28:28.610+02:00Télévision<span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;">13 octobre 2010 : interview dans l'émission </span><i style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;">Bord-cadre</i><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;">, diffusée sur la chaîne CinéCinéma au sujet de la mise en scène de la mémoire de la Shoah dans le cinéma français contemporain. </span><br />
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<span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt;">26 novembre 2009 : interview pour l'émission <b><i><span style="text-decoration: none;"><a href="http://www.youtube.com/watch?v=QtmWxlLMnhs" target="_blank"><span class="Apple-style-span" style="color: #444444;">Starmag</span></a></span></i></b>, d'Eric Naulleau sur TPS Star, sur le thème "Le cinéma israélien aujourd'hui".</span></span></div>
Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-23879469745422500682010-09-18T21:27:00.000+02:002017-09-02T15:05:38.806+02:00Presse<span style="color: #444444; font-family: "helvetica neue";">* </span><span style="color: #444444; font-family: "helvetica neue";">Vincent Lowy, « Ophir Levy, <i>Images clandestines. Métamorphoses d’une mémoire visuelle des « camps »</i> », <i><a href="https://questionsdecommunication.revues.org/11332" target="_blank"><b>Questions de communication</b></a></i>, 31 | 2017, p. 525-526.</span><br />
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<span style="color: #444444; font-family: "helvetica neue";">* Jean-Loup Bourget, "Images clandestines", <i><b><a href="https://drive.google.com/open?id=0B4vVRL_SGWcbQ1JTQ3FKQ3JaQUk">Positif</a></b></i>, n°674, avril 2017, p. 79-80.<i> </i></span><br />
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<span style="color: #444444; font-family: "helvetica neue";">* Alain Jomy, "Les perspectives d'Alain Jomy : <i>Images clandestines</i>", <i><b><a href="https://drive.google.com/open?id=0B4vVRL_SGWcbbjFobGxEYVo3Q28">Cahiers Bernard Lazare</a></b></i>, n°391, mars 2017, p. 31.</span><br />
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<span style="color: #444444; font-family: "helvetica neue";">* Eric Lafon, "Camps et écrans", <i><b><a href="https://drive.google.com/open?id=0B4vVRL_SGWcbanZBeEFyWGVOa2c">L’OURS</a></b></i> (journal mensuel de l’office universitaire de recherche socialiste), n°466, mars 2017, p. 7.</span><br />
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<span style="color: #444444; font-family: "helvetica neue";">* "Ce film signe un moment de bascule",</span><span style="color: #444444; font-family: "helvetica neue";"> </span><i style="color: #444444; font-family: "helvetica neue";"><a href="http://next.liberation.fr/cinema/2015/11/03/ce-film-signe-un-moment-de-bascule_1410980" target="_blank"><b>Libération</b></a></i><span style="color: #444444; font-family: "helvetica neue";">, 4 novembre 2015 (résumé d'un entretien avec Clément Ghys consacré au <i>Fils de Saul</i>) </span><br />
<span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><br /></span><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt;">* </span><span style="color: #343434; font-family: "helvetica neue"; font-size: 13.3333px;">Thomas Wieder et Amos Reichman, </span><span style="color: #343434; font-family: "helvetica neue"; font-size: 13.3333px;">"Auschwitz. Une brève en bas de page", </span><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt;"><i><b><a href="https://dl.dropboxusercontent.com/u/55875284/Article%20monde%20br%C3%A8ve.pdf" target="_blank">Le Monde</a></b> , </i></span><span style="color: #343434; font-family: "helvetica neue"; font-size: 13.3333px;">27 janvier 2015, </span><span style="color: #343434; font-family: "helvetica neue"; font-size: 13.3333px;">p. 12</span><span style="color: #343434; font-family: "helvetica neue"; font-size: 13.3333px;"> (</span><span style="color: #343434; font-family: "helvetica neue"; font-size: 13.3333px;">article </span><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt;">dans lequel est évoquée la thèse </span><i style="color: #343434; font-family: "helvetica neue"; font-size: 10pt;">Les Images clandestines</i><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt;">)</span><br />
<span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt;"><span style="font-size: 10pt; text-align: justify;"><br /></span></span><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt;"><span style="font-size: 10pt; text-align: justify;">* à l'occasion de la présentation de</span><span style="font-size: 10pt; text-align: justify;"> </span><i style="font-size: 10pt; text-align: justify;">Nuit et Brouillard </i><span style="font-size: 10pt; text-align: justify;">à l'auditorium de Bourg-la-Reine, entretien sur le film paru le </span></span><span style="color: #343434; font-family: "helvetica neue"; font-size: 13.3333px; text-align: justify;">12 février 2012 </span><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;">dans le journal de la ville (</span><a href="http://dl.dropbox.com/u/55875284/Entretien%20Nuit%20et%20Brouillard%20raccourci.pdf" style="font-family: "helvetica neue"; font-size: 10pt; text-align: justify;" target="_blank"><b><span style="text-decoration: none;"><span class="Apple-style-span" style="color: #444444;">version raccourcie</span></span></b></a><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;">) et dans les publications de la Scène nationale des Gémeaux (</span><a href="http://dl.dropbox.com/u/55875284/ITW%20Nuit%20et%20Brouillard.pdf" style="font-family: "helvetica neue"; font-size: 10pt; text-align: justify;" target="_blank"><b><span style="text-decoration: none;"><span class="Apple-style-span" style="color: #444444;">version complète</span></span></b></a><span style="color: #343434; font-family: "helvetica neue"; font-size: 10pt; text-align: justify;">).</span><br />
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Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-26413108120051315712010-09-18T21:26:00.000+02:002018-07-06T12:04:01.945+02:00Radio<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-adjydFGCgxQ/Wz84AHf9QhI/AAAAAAAAANQ/1aebP3jqhC8zyT4zecAKjXyQGtYI3oOUQCK4BGAYYCw/s1600/Logos%2Bradio%2Bsite.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Times, Times New Roman, serif; font-size: medium;"><img border="0" height="65" src="https://3.bp.blogspot.com/-adjydFGCgxQ/Wz84AHf9QhI/AAAAAAAAANQ/1aebP3jqhC8zyT4zecAKjXyQGtYI3oOUQCK4BGAYYCw/s400/Logos%2Bradio%2Bsite.JPG" width="400" /></span></a></div>
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<span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: Times, Times New Roman, serif; font-size: medium;"><span style="color: #444444; font-family: "helvetica neue";">5 juillet 2018 : invité de l'émission <b><i><a href="https://www.franceculture.fr/emissions/du-grain-a-moudre-dete/peut-se-passer-du-qatar" target="_blank">Du Grain à moudre (d'été)</a> </i></b></span><span style="color: #444444; font-family: "helvetica neue";">de Raphaël Bourgois sur France Culture, aux côtés de Rémy Besson, Jean-Michel Frodon, Bernard-Henri Lévy et Patrice Maniglier, pour évoquer l'oeuvre de Claude Lanzmann.</span></span></span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #444444;">3 octobre 2017 : invité de l'émission <i><a href="http://www.judaiquesfm.com/emissions/111/presentation.html" target="_blank"><b>Dico-lexique</b></a></i> d'Ariel Sion </span></span></span><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";">sur </span></span><span style="color: #343434; text-align: justify;">Judaïques FM </span><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">(à propos du livre </span><i style="color: #444444;">Images clandestines</i><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">).</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #444444;"><br /></span></span></span>
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #444444;"></span></span></span></span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span class="Apple-style-span" style="color: #444444;">11 avril 2017 : </span><span class="Apple-style-span" style="color: #444444;">invité de l'émission <i>L'attrachjata</i> </span><span style="color: #444444;">(à propos du livre </span><i style="color: #444444;">Images clandestines</i><span style="color: #444444;">)</span><i style="color: #444444;"> </i><span style="color: #444444;">sur France Bleu RCFM.</span></span></span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #444444; font-family: Times, Times New Roman, serif; font-size: medium;"><br /></span></span></span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #444444; font-family: Times, Times New Roman, serif; font-size: medium;">22 novembre 2016 : invité au micro de l'historienne Annette Wieviorka dans l'émission <b><i><a href="http://radiorcj.info/diffusions/39274/" target="_blank">Histoire</a></i></b> sur RCJ (à propos du livre Images clandestines).</span></span></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";">13 novembre 2016 : invité de l'émission <i><b><a href="http://www.judaiquesfm.com/emissions/42/presentation.html" target="_blank">Livres au Café des Psaumes</a></b></i> sur </span></span></span><span style="color: #343434; text-align: justify;">Judaïques FM </span><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">(à propos du livre </span><i style="color: #444444;">Images clandestines)</i><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">.</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><br /></span></span>
<span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="color: #444444; font-family: "helvetica neue";"></span></span></span></span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: Times, Times New Roman, serif; font-size: medium;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";">2 novembre 2016 : invité de l'émission </span><i style="color: #444444;"><b><a href="http://www.radiochalomnitsan.com/podcasts/ophir-l%C3%A9vy-pause-litt%C3%A9raire-6624" target="_blank">Pause littéraire</a></b></i><span style="color: #444444; font-family: "helvetica neue";"> sur RCN, à l'occasion de la publication de l'ouvrage </span><i style="color: #444444;">Images clandestines.</i></span></span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="color: #444444; font-family: "helvetica neue";"><br /></span></span></span>
<span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="color: #444444; font-family: "helvetica neue";"><span style="color: #444444; font-family: "helvetica neue";">18 septembre 2016 : invité de l'émission </span><i style="color: #444444;"><b><a href="https://memoiresvives.net/2016/09/18/images-clandestines/" target="_blank">Mémoires vives</a></b></i><span style="color: #444444; font-family: "helvetica neue";">, à l'occasion de la publication de l'ouvrage </span><i style="color: #444444;">Images clandestines</i><span style="color: #444444; font-family: "helvetica neue";"> (émission de la Fondation pour la Mémoire de la Shoah animée par Eve Szeftel sur RCJ).</span></span></span></span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="color: #444444; font-family: "helvetica neue";"><br /></span></span></span>
<span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="color: #444444; font-family: "helvetica neue";">9 janvier 2016 : invité de l'émission <b><i><a href="http://www.franceculture.fr/emission-projection-privee-eichmann-au-cinema-2016-01-09" target="_blank">Projection privée</a> </i></b></span><span style="color: #444444; font-family: "helvetica neue";">de Michel Ciment </span></span></span><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">sur France Culture</span><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">, aux côtés de Sylvie Lindeperg, Annette Wieviorka et François Niney, à l'occasion de la publication de l'ouvrage collectif </span><i style="color: #444444;">Le Moment Eichmann</i><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"> (Albin Michel).</span></span><br />
<span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #444444; font-family: Times, Times New Roman, serif; font-size: medium;"><br /></span></span></span></div>
<span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;"></span></span><span class="Apple-style-span" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;">12 novembre 2015 : invité de l'émission <i><a href="http://www.franceculture.fr/emission-la-grande-table-2eme-partie-le-debat-sur-la-representation-de-la-shoah-est-il-clos-2015-11-" target="_blank"><b>La Grande Table</b></a></i> de Caroline Broué </span></span><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">sur France Culture</span><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">, sur le thème : "Le débat sur la représentation de la Shoah est-il clos ?".</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span class="Apple-style-span" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";">13 février 2015 : <i><a href="http://www.franceculture.fr/emission-la-fabrique-de-l-histoire-actualite-de-l-histoire-prix-de-l%E2%80%99inatheque-2014-20-ans-du-depot-" target="_blank"><b>La Fabrique de l'histoire</b></a></i> d'Emmanuel Laurentin </span></span></span><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">sur France Culture</span><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">, au sujet de la </span><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">thèse </span><i style="color: #444444;">Les Images clandestines.</i></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";">22 janvier 2015 : <i><b><a href="http://www.rts.ch/docs/histoire-vivante/6439505-la-deportation-9-10-22-01-2015.html" target="_blank">Histoire vivante</a> </b></i>sur la Radio Télévision Suisse (RTS), au sujet de la </span><span style="color: #444444; font-family: "helvetica neue";">thèse </span><i style="color: #444444;">Les Images clandestines.</i></span></span></span></span><br />
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<span style="color: #343434; font-family: Times, Times New Roman, serif; font-size: medium;">3 juin 2014 : interview sur France Info dans la chronique "Zoom culture" de Pierre Serisier, consacrée aux séries télévisées.</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: medium;"><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span><span class="Apple-style-span" style="color: #444444; font-family: "helvetica neue";"><span class="Apple-style-span" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #343434; text-align: justify;">12 octobre 2011 : interview consacrée à la présence de la Shoah dans le cinéma israélien diffusée au cours de la matinale de Judaïques FM animée par Hélène Schoumann.</span></span></span></span><br />
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Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-43273583573594163072010-04-20T11:52:00.000+02:002018-04-20T11:55:33.679+02:00Bibliographie du cours de Master 1 "Enjeux historiques du patrimoine cinématographique"<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
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<b style="text-align: justify;"><u><span style="font-family: Arial, Helvetica, sans-serif;">1. Sur
l’histoire et la notion de patrimoine</span></u></b></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->POULOT Dominique, <i>Patrimoine et musées. L’institution de la culture</i>, Paris, Hachette
Supérieur, coll. « Carré Histoire », 2001 <span style="font-size: 10.0pt; line-height: 115%;">(2<sup>ème</sup> édition revue et augmentée, 2014)</span>.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->POULOT Dominique, <i>Une histoire du patrimoine en Occident, XIII<sup>e</sup>-XIX<sup>e</sup>
siècles : du monument aux valeurs</i>, Paris, PUF, coll. « Le Nœud
gordien », 2006.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->Pour une bibliographie détaillée concernant la
notion de patrimoine, voir le site de la Bibliothèque nationale de
France : « Le patrimoine : une notion plurielle à visiter »<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><cite><b><span style="font-size: 9.0pt; font-style: normal; line-height: 115%; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman";">[</span></b></cite><cite><b><span style="font-size: 9.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">http://www.bnf.fr/documents/biblio_patrimoine_notion.pdf</span></b></cite><b><span style="font-size: 9.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">]</span></b><o:p></o:p></span></div>
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<b><u><span style="font-family: Arial, Helvetica, sans-serif;">2. Sur
les institutions et les usages du patrimoine cinématographique</span></u></b></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif;"><u>Historiographie</u><o:p></o:p></span></i></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->GAUTHIER Christophe, « Le cinéma : une
mémoire culturelle », <i>1895. Revue
d’histoire du cinéma</i>, n° 57, septembre 2007.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->LOUIS Stéphanie-Emmanuelle, « Des
cinémathèques au patrimoine cinématographique. Tendances du questionnement
historiographique français », <i>1895.
Revue d’histoire du cinéma</i>, n° 79, été 2016.<o:p></o:p></span></div>
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<i style="text-indent: -14.2pt;"><u><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></u></i></div>
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<i style="text-indent: -14.2pt;"><u><span style="font-family: Arial, Helvetica, sans-serif;">Généralités et études globales</span></u></i></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->ALIX Yves, « Droit des œuvres et métiers du
patrimoine cinématographique et audiovisuel en Europe », <i>Bulletin des bibliothèques de France</i>,
2006, n° 2 <b><span style="font-size: 9.0pt; line-height: 115%;">[<i>http://bbf.enssib.fr/consulter/bbf-2006-02-0083-009</i>]</span></b><o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->BORDE Raymond, <i>Les Cinémathèques</i>, Lausanne, L’Age d’homme, 1983 (rééd. Paris,
Ramsay, coll. « Poche Cinéma », 1988).<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->BORDE Raymond, « Les cinémathèques,
patrimoine ou spectacle », <i>Archives</i>,
n° 25, octobre 1989.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->GUYOT Jacques et ROLAND Thierry, <i>Les Archives audiovisuelles</i>. <i>Histoire, culture, politique</i>, Paris,
Armand Colin, 2011.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->LE ROY Éric, <i>Cinémathèques
et archives du film</i>, Paris, Armand Colin, 2013.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;"> </span>LINDEPERG Sylvie et SZCZEPANSKA Ania (dir.), <i>A qui appartiennent les archives ?</i>,
Paris, Éditions de la Maison des sciences de l’homme, 2017. <o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;"><cite><span style="font-style: normal;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span></span></cite><!--[endif]-->TOUBIANA Serge, <i>Toute la mémoire du monde</i>, rapport sur le patrimoine
cinématographique pour le ministère de la Culture et de la Communication, 2003.
<b><span style="font-size: 9.0pt; line-height: 115%;">[</span></b><cite><b><span style="font-size: 9.0pt; line-height: 115%; mso-fareast-font-family: "Times New Roman";">www.culture.gouv.fr/culture/actualites/rapports/toubiana/toubiana.pdf</span></b></cite><cite><b><span style="font-size: 9.0pt; font-style: normal; line-height: 115%; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman";">]</span></b></cite><cite><span style="font-style: normal;"><o:p></o:p></span></cite></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->VERNET Marc, « Le cinéma sans le cinéma, ou
du bon usage de l’archive », <i>Cinémathèque</i>,
n° 7, printemps 1995.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;"> </span><!--[endif]-->VEZYROGLOU Dimitri (dir.), <i>Le Cinéma : une affaire d’État (1945-1970)</i>, Paris, La
Documentation française, 2014. <span style="font-size: 10.0pt; line-height: 115%;">Voir
notamment la 4<sup>e</sup> partie, « Production et diffusion d’une culture
cinématographique » (textes de L. Souillès-Debats sur les ciné-clubs, G.
Péton sur les maisons de la culture, A. Pinto sur l’exploitation art et essai
et S.-E. Louis sur les cinémathèques).</span><o:p></o:p></span></div>
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<b><u><span style="font-family: Arial, Helvetica, sans-serif;">3. Études
de cas<o:p></o:p></span></u></b></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif;"><u>Études de cas concernant des institutions</u><o:p></o:p></span></i></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->BARBIN Pierre, <i>La Cinémathèque française : inventaire et légendes (1936-1986)</i>,
Paris, Vuibert, 2005.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->CNC, <i>Les
Archives françaises du film, 1969-2009. Histoire, collections, restaurations</i>,
Paris, CNC, 2009.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;"> </span>FRAPPAT Marie, <i>Cinémathèques à l’italienne : conservation et diffusion du
patrimoine cinématographique en Italie</i>, Paris, L’Harmattan, 2006.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->MANNONI Laurent, <i>Histoire de la Cinémathèque française</i>, Paris, Gallimard, 2005.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->OLMETA Patrick, <i>La Cinémathèque française de 1936 à nos jours</i>, Paris CNRS Éditions,
2000.<o:p></o:p></span></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif;"><u>Études de cas sur la restauration</u><o:p></o:p></span></i></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->« Filière de restauration
photochimique », parcours découverte des Archives françaises du film du
CNC, consultable à l’adresse suivante : <o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-size: 9.0pt; line-height: 115%;">[http://www.cnc-aff.fr/internet_cnc/Internet/ARemplir/parcours/restauration/pages/restauration_filiere_photochimique.pdf]</span></b><o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->Dossier sur la restauration du <i>Voyage dans la lune</i>, de Georges Méliès, <i>Journal of Film Preservation</i>, n° 87,
octobre 2012.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span style="font-family: Arial, Helvetica, sans-serif;">·<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->FRAPPAT Marie, « “Réactiver” les œuvres.
Histoire et pratiques des professionnels de la restauration de films »,
dans ÉTIENNE Noémie et HÉNAUT Léonie (dir.), <i>L’Histoire à l’atelier. Restaurer les œuvres d’art (XVIIIe-XXIe
siècles)</i>, Lyon, Presses universitaires de Lyon, 2012, p. 181-201.</span></div>
Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.comtag:blogger.com,1999:blog-4885773131498318663.post-20482444494276782332009-12-30T22:05:00.056+01:002011-12-31T17:25:46.886+01:00"Cinéma et Shoah" 2010-2011 (bibliographie)<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #444444;"><i>Les Jeudis Cinéma du CEM (Centre d'Enseignement Multimédia) organisés au Mémorial de la Shoah sont un rendez-vous mensuel ouvert à tout public, au cours duquel historiens, critiques, philosophes, cinéastes explorent la relation particulière qui existe entre l’image filmée et l’évocation de la Shoah. </i></span></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #444444;"><b><i><a href="http://www.memorialdelashoah.org/upload/medias/fr/prog_cem_jeudis.pdf" target="_blank">(Voir le programme 2010-2011)</a></i></b></span></span><br />
<span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><i><br />
</i></span><br />
<span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><i>Les dix séances de la saison 2010-2011 ont formé un parcours chronologique permettant de réinscrire </i></span><span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><i>les représentations cinématographiques de la persécution et de la destruction des Juifs d’Europe </i></span><span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><i>dans leur perspective historiographique et mémorielle.</i></span><br />
<span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><i><br />
</i></span><br />
<span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><i>La bibliographie que je propose ici est une sélection d'ouvrages importants sur cette question, dans laquelle on retrouve plusieurs livres des intervenants du cycle.</i></span><br />
<span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><i><br />
</i></span><br />
<span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><b>BIBLIOGRAPHIE</b></span><br />
<span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><b><span class="Apple-style-span" style="font-weight: normal;"> </span></b></span><br />
<b></b><br />
<b><div class="NotesbasdepageTHESE" style="line-height: normal; margin-left: 18.0pt; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">CHEROUX Clément (dir.), </span></span><i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">Mémoire des camps. Photographies des camps de concentration et d’extermination (1933-1999)</span></span></i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">, Paris, Marval, 2001.</span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;"><o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">COLL., </span><i><span class="Apple-style-span" style="font-weight: normal;">Au sujet de </span></i><span class="Apple-style-span" style="font-weight: normal;">Shoah</span><i><span class="Apple-style-span" style="font-weight: normal;">, le film de Claude Lanzmann</span></i><span class="Apple-style-span" style="font-weight: normal;">, Paris, Belin, 1990.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">COLL., </span></span><i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">Revue d'Histoire de la Shoah</span></span></i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">, n°195, "Les écrans de la Shoah", juillet/décembre 2011.</span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;"> <o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">DELPORTE Christian, « Les médias et la découverte des camps (presse, radio, actualités filmés) » in F. Bédarida, L. Gervereau, </span><i><span class="Apple-style-span" style="font-weight: normal;">La Déportation. Le système concentrationnaire nazi</span></i><span class="Apple-style-span" style="font-weight: normal;">, Musée d’histoire contemporaine – BDIC, 1995, p. 205-213. <o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">DIDI-HUBERMAN Georges, </span><i><span class="Apple-style-span" style="font-weight: normal;">Images malgré tout</span></i><span class="Apple-style-span" style="font-weight: normal;">, Paris, Éditions de Minuit, 2003.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">DOHERTY Thomas, </span><i><span class="Apple-style-span" style="font-weight: normal;">Projections of War. Hollywood, American Culture and World War II</span></i><span class="Apple-style-span" style="font-weight: normal;">, New York, Columbia University Press, 1993.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">FRIEDLANDER Saül, </span><i><span class="Apple-style-span" style="font-weight: normal;">Reflets du nazisme</span></i><span class="Apple-style-span" style="font-weight: normal;">, Paris, Seuil, 1982.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l2 level1 lfo3; tab-stops: list 36.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span class="Apple-style-span" style="font-weight: normal;">-</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span><i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">Probing the Limits of Representation. Nazism and the « Final Solution »</span></span></i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">, Cambridge, Harvard University Press, 1992. <o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">FRODON Jean-Michel (dir.), </span><i><span class="Apple-style-span" style="font-weight: normal;">Le Cinéma et la Shoah. Un art à l'épreuve de la tragédie du 20e siècle</span></i><span class="Apple-style-span" style="font-weight: normal;">, Paris, Cahiers du cinéma, 2007.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">LINDEPERG Sylvie, </span><i><span class="Apple-style-span" style="font-weight: normal;">Clio de 5 à 7,</span></i><span class="Apple-style-span" style="font-weight: normal;"> Paris, CNRS éditions, 2000.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l0 level1 lfo2; tab-stops: list 36.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span class="Apple-style-span" style="font-weight: normal;">-</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span><i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">Nuit et Brouillard. Un film dans l’histoire, </span></span></i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">Paris, Odile Jacob, 2007.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l0 level1 lfo2; tab-stops: list 36.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span class="Apple-style-span" style="font-weight: normal;">-</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">(avec Annette Wieviorka) </span><i><span class="Apple-style-span" style="font-weight: normal;">Univers concentrationnaire et génocide. Voir, savoir, comprendre</span></i><span class="Apple-style-span" style="font-weight: normal;">, Paris, Fayard/Mille et Une Nuits, 2008.</span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;"><o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">LOWY Vincent, </span><i><span class="Apple-style-span" style="font-weight: normal;">L’histoire infilmable. Les camps d’extermination nazis à l’écran</span></i><span class="Apple-style-span" style="font-weight: normal;">, Paris, L’Harmattan, 2001. <o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">MAECK Julie, </span></span><i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">Montrer la Shoah à la télévision, de 1960 à nos jours</span></span></i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">, Paris, Nouveau Monde éditions, 2009.</span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;"><o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">NARBONI Jean, </span><i><span class="Apple-style-span" style="font-weight: normal;">Pourquoi les coiffeurs ? Notes actuelles sur </span></i><span class="Apple-style-span" style="font-weight: normal;">Le Dictateur, Editions Capricci, 2010.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">NANCY Jean-Luc, « La représentation interdite », </span><i><span class="Apple-style-span" style="font-weight: normal;">Le Genre humain</span></i><span class="Apple-style-span" style="font-weight: normal;">, n°36, 2001, p. 12-39.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">RANCIERE Jacques, </span><i><span class="Apple-style-span" style="font-weight: normal;">Le Destin des images</span></i><span class="Apple-style-span" style="font-weight: normal;">, Paris, La fabrique éditions, 2003. <o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">RERA Nathan, </span><i><span class="Apple-style-span" style="font-weight: normal;">De Paris à Drancy ou les possibilités de l’Art après Auschwitz</span></i><span class="Apple-style-span" style="font-weight: normal;">, Pertuis, Rouge profond, 2009.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">ROLLET Sylvie, </span><i><span class="Apple-style-span" style="font-weight: normal;">Une éthique du regard : le cinéma face à la Catastrophe, d’Alain Resnais à Rithy Panh</span></i><span class="Apple-style-span" style="font-weight: normal;">, Paris, Hermann, 2011.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">SHANDLER Jeffrey, </span><i><span class="Apple-style-span" style="font-weight: normal;">While America watches : Televising the Holocaust</span></i><span class="Apple-style-span" style="font-weight: normal;">, New York, Oxford University Press, 1999. <o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">WALTER</span><i><span class="Apple-style-span" style="font-weight: normal;"> </span></i><span class="Apple-style-span" style="font-weight: normal;">Jacques,</span><i><span class="Apple-style-span" style="font-weight: normal;"> La Shoah à l’épreuve de l’image, </span></i><span class="Apple-style-span" style="font-weight: normal;">Paris, PUF, 2005.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">WIEVORKA Annette, </span><i><span class="Apple-style-span" style="font-weight: normal;">Déportation et génocide</span></i><span class="Apple-style-span" style="font-weight: normal;">, Paris, Plon, 1992.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 36.0pt; mso-hyphenate: auto; mso-list: l0 level1 lfo2; tab-stops: list 36.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span class="Apple-style-span" style="font-weight: normal;">-</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span><i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">L’ère du témoin, </span></span></i><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">Paris, Hachette, 1998.<o:p></o:p></span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-hyphenate: auto; mso-list: l1 level1 lfo1; tab-stops: list 18.0pt; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;"><span style="font-family: Symbol;"><span class="Apple-style-span" style="font-weight: normal;">·</span><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span style="font-family: Arial;"><span class="Apple-style-span" style="font-weight: normal;">YOUNG James Edward, </span><i><span class="Apple-style-span" style="font-weight: normal;">Writing and Rewriting the Holocaust. Narrative and the Consequence of Interpretation</span></i><span class="Apple-style-span" style="font-weight: normal;">, Bloomington, Indianapolis University Press, 1988.</span><o:p></o:p></span></div></b>Les images clandestineshttp://www.blogger.com/profile/02280110585973922653noreply@blogger.com